“Noted Psychologist Revealed as Author of Best-Selling ‘Wonder Woman,’” read the astonishing headline. In the summer of 1942, a press release from the New York offices of All-American Comics turned up at newspapers, magazines and radio stations all over the United States. The identity of Wonder Woman’s creator had been “at first kept secret,” it said, but the time had come to make a shocking announcement: “the author of ‘Wonder Woman’ is Dr. William Moulton Marston, internationally famous psychologist.” The truth about Wonder Woman had come out at last.
Due to the reboot of the character following Crisis on Infinite Earths, numerous things no longer made sense in terms of continuity as it related to the remainder of the DC Universe. As her first overall appearance was now in continuity around the Legends miniseries, it no longer made sense that she was a founding member of the Justice League of America. This founding position was instead given retroactively to Black Canary. Later it was decided that she should be given this position back and thus both she and Black Canary were considered founding members of the Justice League. In reference to the Justice League though, although she has more than 400 combined appearances therein, she has had most of her character development in her own series.

Starting in Wonder Woman vol. 2 #51, the Amazons, who had revealed their presence to the world in Wonder Woman vol. 2 #50, are blamed for a series of murders and for the theft of various artifacts. The Amazons are then taken into custody, Queen Hippolyta is nowhere to be found and Steve Trevor is forced by General Yedziniak to attack Themyscira. These events lead to the "War of the Gods" occurring. The culprit of the murders, thefts and the framing of the Amazons is revealed to be the witch Circe, who "kills" Diana by reverting her form back into the clay she was born from. Later, Wonder Woman is brought back to life and together with Donna Troy, battles Circe and ultimately defeats her.[103][104][105][106] Circe would later return by unknown means.
On occasions Wonder Woman has employed a magical sword of unknown (though presumably Amazon) origin. This sword has been used most specifically against those with the power of invulnerability as invulnerability generally does not work against magical items. It is generally represented as a short sword. In Wonder Woman (vol. 4) #15, Hephaestus modifies Diana's bracelets so that she can manifest two short swords from them during battle.
Flash and Cyborg save all the hostage, which Silas Stone tells Victor that Steppenwolf can not get the final Mother Box. Batman then jumps down into the Knightcrawler and saves Wonder Woman after a Parademon manages to briefly knock her out. The Knightcrawler gets attacked by Steppenwolf, and Barry helps Wonder Woman get her sword so she can help Batman.
Supporting	Amazons • Antiope • Artemis • Belyllioth • Cassandra Sandsmark • Department of Metahuman Affairs • Donna Troy • Ed Indelicato • Etta Candy • Ferdinand • Fury • General Blankenship • Helena Sandsmark • Hellenders • Hercules • Hippolyta • Holliday Girls • I-Ching • Julia Kapatelis • Jumpa • Lauren Haley • Lyta Milton • Mala • Micah Rains • Mike Schorr • Natasha Teranova • Nemesis • Nubia • Olympian • Orana • Phil Darnell • Philippus • Rama Chandra • Sarge Steel • Sofia Constantinas • Steve Trevor • Titans of Myth • Trevor Barnes • Vanessa Kapatelis • Warkiller • Wonder Girl • Wonder Man 

In the first story arc, Wonder Woman meets and protects a young woman named Zola, from Hera's wrath. Zola is pregnant with Zeus's child and Hera, seething with jealousy intends to kill the child.[62] [63][64][65] [66][67] The major event in this story is the revelation of Diana's true parentage. Long ago, Hippolyta and Zeus battled each other. Their battle ended with the couple making love and thus Diana was conceived.[62] The first six issues of the New 52 series are collected in a hardcover titled Wonder Woman Vol. 1: Blood.[68]
Wonder Woman grossed $412.6 million in the United States and Canada and $409.3 million in other territories for a worldwide total of $821.8 million, against an estimated production budget of $120–150 million.[5] Estimates for the number the film needed to surpass internationally in order to cover its production and promotional costs and break even ranged from $300 million[174] to $460 million.[175] Deadline Hollywood calculated the net profit of the film to be $252.9 million, when factoring together all expenses and revenues, making it the 6th most profitable release of 2017.[176]
After Crisis on Infinite Earths, the character’s origin was slightly retold by Greg Potter and George Perez. In this version, the Amazons were reincarnations of the souls of abused and murdered women from ancient days. In 1200 B.C. a debate occurred on Mount Olympus on how mankind should be made to relate to the gods. Ares, the god of war and destruction, wanted to descend upon the world with his army and crush mankind submission. This was opposed by the others gods present including Artemis, who wanted peace and suggested creating a new race that would lead humans on the right path. Zeus rejected their arguments, and they decided to proceed without his blessing. With the aid of Charon the ferryman, the gods reached the Womb of Gaea, where the souls of women who were abused and murdered at the hands of men were preserved by Gaea herself. Artemis then sent the souls to Greece where they reincarnated into adult women. Aphrodite observed that one soul still remains in the Womb, to which Athena replied that the time had not yet come for that one. The new race in Greece were approached by the goddesses, who bestowed upon them several blessings, charging them with the purpose of leading humanity in the ways of Gaea. They then appointed Hippolyte and Antiope as co-rulers. The civilization is named the Amazons. Stories of this civilization spread throughout Greece and reached the ears of Heracles, who was being manipulated by Ares into attacking the Amazons. Heracles approached the Amazons but was defeated by Hippolyte, upon which he pretended friendship and declared the Amazons allies. When their guard was down, the Greeks drugged the Amazons, taking Hippolyte, Antiope and the other survivors captive. In her cell, Hippolyte is freed by Athena ,who reminds her of her purpose and asked her to avoid revenge and pursue peaceful means. Hippolyte escaped and freed the rest of the Amazons. She shared Athena's message to the Amazons, but blinded by their thirst for revenge, they ruthlessly slaughter the remaining men. Antiope gave Hippolyta her girdle and left to pursue revenge The goddesses appeared and told them they had failed in their purpose and banished them to an island to guard the terrible evil within, as penance. They were granted immortality as long as they did not stray from their new purpose, which would eventually purify their souls. The Amazons built a nation and lived there for 4,000 years. It is during this time that Hippolyte, sole leader of the Amazons, felt an unexplained yearning. Menalippe, the Oracle, told her she was the only Amazon pregnant at the time of her previous incarnation's death, and thus the yearning she felt was the call of her unborn child. As per her advise, Hippolyte went to the shore at sunrise and made a clay figure of a baby. She then cried out to Artemis. The gods, recognizing it was time for the remaining soul in Gaea's womb to depart, infused it into the clay form, which then incarnated as a real child. Blessed with Gaea's greatest gift, life, the gods present bestowed their gifts upon the newborn: Demeter granted the baby great strength, Aphrodite granted her great beauty and a loving heart, Athena granted her great wisdom, Artemis granted her the eye of the hunter and unity with beasts, Hestia granted her sisterhood with fire, and Hermes gave her great speed and the power of flight. Hippolyte named her after a holy warrior, Diana, and she grew up knowing the love of a thousand mothers. Thus Diana of Themyscira was born.
In one episode, a newspaper editor named Brown, desperate to discover Wonder Woman’s past, assigns a team of reporters to chase her down; she easily escapes them. Brown, gone half mad, is committed to a hospital. Wonder Woman disguises herself as a nurse and brings him a scroll. “This parchment seems to be the history of that girl you call ‘Wonder Woman’!” she tells him. “A strange, veiled woman left it with me.” Brown leaps out of bed and races back to the city desk, where he cries out, parchment in hand, “Stop the presses! I’ve got the history of Wonder Woman!” But Wonder Woman’s secret history isn’t written on parchment. Instead, it lies buried in boxes and cabinets and drawers, in thousands of documents, housed in libraries, archives and collections spread all over the United States, including the private papers of creator Marston—papers that, before I saw them, had never before been seen by anyone outside of Marston’s family.
The Parademons attack the Batmobile, ripping of one on the guns that it has and opening up the car before Wonder Woman and the reason the League saves Batman, Arthur jumps on the Batmobile before getting attacked by Parademons which leads Cyborg to save him and throwing him to the other Parademons. The Batmobile gets destroyed after Batman ejected from the vehicle and used his grapple, he swings across to take out the Parademons.

The modern age of the character can be tied to the reboot of the character following Crisis on Infinite Earths. In this the character became defined by the vision of George Perez in a way which the entire concept of the character was defined by his direction. As opposed to the past where the character would get retold origins which would try to make her more contemporary, now she got one which tied her much more strongly to the stories of the ancient gods. For the first time Diana enters Man’s World not knowing how to speak English already, and is forced to master the language on her own. In this period she also became much more closely related with modern female issues, and this was usually through her circle of friends – Julia and Vanessa Kapatelis and Mindi Mayer. Such issues as the cultural need for women to be attractive and thin, suicide and the sensationalization of the media as it pertains to women were all addressed. This version of the character also reimagined Steve Trevor as a father figure for Diana as opposed to a romantic counterpart. After Perez’s run on the character, she was taken over for a time by William Messner Loebs, who recast her again in somewhat more traditional superhero stories, though in this case she still explored a different aspect of humanity. After a long space voyage, when she returned home she was forced to work at a fast food restaurant to pay her bills and made friends with a number of people in her “civilian identity.” This built up to the revelation of betrayal of her mother, and of Artemis taking over as Wonder Woman for a short time, but this was soon reversed. The following writer was John Byrne, who when he was writing Superman in the post-Crisis on Infinite Earths DC universe, had hinted at a relationship between Diana and Superman. This was explored occasionally under his run, but it is probably best known for the death of Diana, and the assumption of her duties by Hippolyta. She was soon returned to life (as she had never really died, instead having been deified). This period also introduced Cassandra Sandsmark, who would go on to become Wonder Girl at a later point. The remainder of this second series is best remembered for by the writing of Jimenez and Rucka, both of whom helped define the character. The latter during the lead-in of events to Infinite Crisis had Diana fighting Superman who was being controlled by Maxwell Lord. Battered after their battle, Diana has managed to stop Superman by using her lasso of truth on Lord, and the only option which she is given to stopping him is to kill him, and realizing this is the case, she does so. This created a controversy both within comics and in the real world, as both fans and characters alike debated the morality of this decision. In comics this also led to strained relations between her and Superman and her and Batman and with the addition of the events of Identity Crisis, helped to lead to the breakup of the Justice League of America at a crucial point right before the main events of Infinite Crisis were about to begin.

To find the perfect location to shoot the Amazon island of Themyscira, the birthplace of Wonder Woman herself, the film's producers searched all over the world, finally settling on the Cilentan Coast: a stretch of coastline on the Tyrrhenian Sea, located in the Province of Salerno in Southern Italy.[134] It was chosen because most beaches in the world that sit below big cliffs disappear beneath the tide for part of every day. Production designer Aline Bonetto and her location manager Charles Somers considered 47 countries and visited several of them before they found what they were looking for. Bonetto explained that, "Italy had beautiful weather, a beautiful blue-green sea, not too much tide, not too much wave. Our effects team added some cliffs in post-production, and it was the perfect way to go".[135] The estuary at Lower Halstow in Kent is featured in the scene in which Diana arrives at a Belgian creek to make her way to the warfront.[136] Bill Westenhofer served as the visual effects supervisor for the film[137] and Martin Walsh served as editor.[127]


Genius-Level Intellect: Wonder Woman is extremely intelligent, wise, well-read, perceptive, and sophisticated, primarily due to her tremendously long immortal lifespan, natural fluency in all human languages (even dead ones, like Latin, Ancient Greek, Sumerian, and Ottoman Turkish), her having read many books even while still on Themyscira, and her century of living in "Man's World" after World War I, all of which makes Wonder Woman the wisest and most emotionally intelligent member of the Justice League, despite her having initially been naive, headstrong, and idealistic at the time of leaving Themyscira with Steve Trevor. As such, Wonder Woman has no issues blending in with the high-class society of "Man's World." She held her own while verbally sparring with Batman (with the extremely experienced vigilante having trouble discerning her identity), was the first to realize that Doomsday's adaptive healing factor was energy-based, and was the only one on supergenius Lex Luthor's metahuman list to figure out that Lex was keeping tabs on her and had obtained a compromising photo of her with Steve Trevor (possibly due to her having been once been fooled by another deceitful supervillain, Ares). She also displays a keen understanding of technology and biomechatronics, shown when Wonder Woman uses the Batcomputer, remarks on Cyborg's Mother Box enhancements,[12] and when she deduced that resurrecting Superman with a Mother Box might produce a monster like Doomsday. Wonder Woman's intellectual genius extends itself to her combat, perceptiveness, stealth, arcane lore, and antiquities dealing skills.
The Diana Prince alias also played an important role after the events of Infinite Crisis. Wonder Woman was broadcast worldwide killing a villain named Maxwell Lord, as he was mind controlling Superman into killing Batman. When Wonder Woman caught him in her lasso, demanding to know how to stop Superman, Maxwell revealed that the only way to stop him was to kill Lord, so as a last resort Diana snapped his neck.[63][64] To recover from the trauma of killing another person, the Amazon went into a self-imposed exile for one year.[65] On her return to public life, Diana realized that her life as a full-time celebrity superhero and ambassador had kept her removed from humanity. Because of this she assumed the persona of Diana Prince and became an agent at the Department of Metahuman Affairs. During a later battle with the witch Circe, a spell was placed on Diana leaving her powerless when not in the guise of Wonder Woman.[66]
Writer Eric Luke next joined the comic and depicted Diana as often questioning her mission in Man's World, and most primarily her reason for existing. His most memorable contributions to the title was having Diana separate herself from humanity by residing in a floating palace called the Wonder Dome, and for a godly battle between the Titan Cronus and the various religious pantheons of the world. Phil Jimenez, worked on the title beginning with issue #164 (January 2001),[42] and produced a run which has been likened to Pérez's, particularly since his art bears a resemblance to Pérez's. Jimenez's run showed Wonder Woman as a diplomat, scientist, and activist who worked to help women across the globe become more self-sufficient. Jimenez also added many visual elements found in the Wonder Woman television series. One of Jimenez's story arcs is "The Witch and the Warrior", in which Circe turns New York City's men into beasts, women against men, and lovers against lovers.[43][44][45]
As her injuries healed, Wonder Woman and her friends spent some time on New Genesis. She spoke to Highfather, who agreed to let her return to Earth. As soon as Diana and her friends returned to Earth, Orion decided to go with them. Arriving to London, they realized the First Born had wrecked the entire city and killed Lennox. The First Born summoned an army of hyena men to kill the intruders but Ares arrived to help Wonder Woman in the fight.[35]
A stand-alone #0 issue was released in September which explored Diana's childhood and her tutelage under Ares, the God of War, now known most often as simply 'War'.[148] The issue was narrated in the style of a typical Silver Age comic book and saw Diana in her childhood years.[149] The main plot of the issue was Diana training under War as he thought of her being an extraordinary girl with immense potential. The issue ultimately concluded with Diana learning and experiencing the importance of mercy, which she first learned when War showed it to her during their sparring. This later translated into her refusal to kill the Minotaur – a task given to her by War; however, this show of mercy makes her a failure in War's eyes, which was actually his fault since he inadvertently "taught" her mercy and affection as his protege.[148][149][150] Later in the series, Wonder Woman is forced to kill War during a conflict with her evil half-brother, Zeus' son First Born, and herself becomes the God of War. After the Amazons are restored, she rules over them both as a warrior queen and God of War, as the ongoing conflict with First Born escalates. At the end of Azzarello's run, as part of a final conflict, Wonder Woman kills First Born, while Zeke is revealed to have been Zeus' plan for resurrection, with Zola revealed to have been a mortal shell for the goddess Athena, who gave birth to Zeus just as he once did to her. Wonder Woman pleads with Athena not to allow the Zola personality, whom she has grown to love as a friend, die with Athena's awakening. Athena leaves the site in animal form, leaving a stunned and confused Zola behind with Wonder Woman.[151]
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