Granted by Artemis (Goddess of the Hunt). Eyesight, hearing, taste, touch and smell are all on super-human level. She has exceptional hearing and night vision, and has even shown the ability to track her enemies by scent in some instances (especially in natural environments). Wonder Woman has the (Hunters Eyes) which allows her to always hit her mark and see far distances.
After taking on the mantle God of War after killing her mentor War. Diana have shown some new abilities. She can now telepathically communicate and control all soldiers on the planet since she is their greatest leader. She hasn't shown the ability, but as her predecessor was able to bring back dead soldiers to fight alongside him, she might be able to do so as well.
In modern times, Diana operates as the curator of the Louvre Museum as Diana Prince. Two years following the Battle of Metropolis, Diana came into conflict with Lex Luthor, who discovered a photograph of Diana and the Wonder Men during his search for metahumans. During her pursuit of Luthor, Diana crossed paths with Bruce Wayne, who discovered her secret after their confrontation during his search for the White Portuguese. Later, along with the photograph on Luthor's files Bruce sent her, Diana discovered the evidence of metahumans in the world. With her mission fulfilled, Diana prepared to depart back to London, but the emergence of the monstrous Doomsday led Diana to ally herself with Superman and Batman to take down the monster in a fierce battle that ended with the tragic death of Superman.
After Diana's clash with Silver Swan, she goes to Greece, where Julia is staying. Here she meets Julia's friend, renowned Epigraphist Stavros Christadoulodou. Here, a conspiracy is shown to be in play with a mysterious woman behind it, dwelling in an undisclosed location, speaking to her servant Mikos about Diana's presence and how it could be a threat. A rebel group is revealed to be in existence, secretly fighting the witch's forces, headed by a man named Gregory, who had lost his son's to the witch's monsters. The witch uses her servants disguised as animals to kill her enemies in the rebel group. The rebel faction also has Katina and Spiros as it's members, actively tracking other followers of the witch and trying to keep Diana safe from harm. She goes on boat to an island called Cephalonia when she is distracted by another small island in the vicinity. She senses a strange presence in the island and is somehow attacked by it's mysterious resident psychically, as a warning, causing her to faint on the spot. In the hospital, Diana is surrounded by her friends and some wonder if it's the Magia, a curse that some believe is pure superstition. The Magia is said to come from the mysterious island, where a witch is said to exist. Diana is introduced to Theophilius Ventouras, one of the wealthiest people in the area by Julia, who is actually another pawn of the witch, and he deceives Diana and her friends into thinking the woman is actually a rich loner and there is no truth in the myths about the Magia and the Witch. Stavros meets with Gregory and is given a scroll that the faction had obtained from the island, which may contain secrets about the witch.
The series has been one of the most altered of the New 52 event. Joey Esposito and Erik Norris of IGN noted that the new creative team provided "a creative well that appears bottomless."[78] Timothy Callahan of Comic Book Resources called the title "the best of the New 52" and described the work of Brian Azzarello and Cliff Chiang as "a clean, poetic story with a strong mythological pull."[79]

After the release of the 2017 film Wonder Woman, many bloggers noted what they felt made Wonder Woman a feminist icon in the film. Zoe Williams for The Guardian said, "Yes, she is sort of naked a lot of the time, but this isn't objectification so much as a cultural reset: having thighs, actual thighs you can kick things with, not thighs that look like arms, is a feminist act. The whole Diana myth, women safeguarding the world from male violence not with nurture but with better violence, is a feminist act. Casting Robin Wright as Wonder Woman's aunt, re-imagining the battle-axe as a battler with an axe, is a feminist act. A female German chemist trying to destroy humans (in the shape of Dr Poison, a proto-Mengele before Nazism existed) might be the most feminist act of all."[234] Alyssa Rosenberg for The Washington Post said, "... None of these experiences crushed me, of course, but I do wonder what it might have been like if they hadn't happened.The power of Wonder Woman, and one of the things that gives Jenkins's adaptation of the character such a lift, is in the answer to that question. Diana Prince (Gal Gadot) doesn't have any idea what women and men are — or aren't — supposed to do. Even when she does encounter other people's ideas about gender roles, she doesn't automatically accept them, and she never lets anyone stop her. And the movie goes a step further and argues that it's not merely little girls all over the world who stand to gain if they can grow up free of the distorting influence of misogyny: a world like that would be liberating and wonderful for men in lots of ways, too."[235] Emma Gray for HuffPost said, "When it comes to pop culture, we speak often about representation; the simple yet often unfulfilled idea that it matters to see someone like you fill a variety of imagined roles on screen. After awhile, these conversations almost begin to feel obvious. We know that it's good to see women and people of color and disabled people and trans people and queer people in the same numbers and variety of roles that white, cisgender, straight men have long been afforded. But what these discussions often lose is the emotional impact of finally seeing something you may have never even realized you were missing. For many women viewers, "Wonder Woman" filled a hole they didn't know they had." [236]

After the meeting, Trevor's superior berated him for taking a woman into the war room. Morgan then introduced himself to Diana. She began to introduce herself as "Diana, Princess of Themyscira," but Trevor cut her off to maintain her secret identity, calling her "Diana Prince." Trevor then informed Morgan that he'd managed to steal Doctor Poison's notebook.
Although the exact amount that Jenkins will receive for Wonder Woman 2 is unknown, her contract will include writing, directing, and producing credits along with a “substantial backend of box office grosses,” making her the highest-paid female director in Hollywood. Jenkins presumably had a lot more leverage at the negotiating table following Wonder Woman‘s massive success.
Hermes attacked Wonder Woman there, refusing to simply give up the child, but during their battle, War ripped the baby from Demeter's womb and disappeared. Unable to let a grave wound such as that go unattended, Diana saw to Demeter first, and the goddess warned that War could not be trusted. Worriedly, Diana and Orion returned to Manhattan to find that War had returned the baby to Zola. At last, the baby and his mother were reunited - and Orion would not have to look any further for the child he needed to kill.[31]
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