Diana then arrives to stop Ares, and brings Steve Trevor to the US.Arriving in Boston, she meets Professor Julia Kapatelis. After fighting a monster named Decay sent by Phobos, a son of Ares, Diana, Julia and Steve discover Ares' plan: to start a nuclear war worldwide. Joined by Steve's friend Michaelis, the group travel to the military bases Ares' minions had taken control of and avert nuclear war. Ares
Now a mod boutique owner, the powerless Diana Prince acquired a Chinese mentor named I Ching. Under I Ching's guidance, Diana learned martial arts and weapons skills, and engaged in adventures that encompassed a variety of genres, from espionage to mythology. During this time she fought villains such as Catwoman, Doctor Cyber, the hippie gang Them!, and the campy witch Morgana.[9]

James Robinson is an acclaimed, award-winning writer whose works include Starman, JSA: The Golden Age and Superman. With Geoff Johns, he was co-writer of Hawkman. In addition, he wrote the screenplay to The League of Extraordinary Gentlemen, starring Sean Connery, and created the acclaimed young-readers comic series Leave it to Chance. Robinson is currently writing Wonder Woman (Rebirth).


Following Pérez, William Messner-Loebs took over as writer and Mike Deodato became the artist for the title. Messner-Loebs introduced Diana's Daxamite friend Julia in Wonder Woman vol. 2 #68 during the six-issue space arc.[38][39] Messner-Loebs's most memorable contribution to the title was the introduction of the red-headed Amazon Artemis, who took over the mantle of Wonder Woman for a short time. He also included a subplot during his run in an attempt to further humanize Diana by having her work for a fictional fast food chain called "Taco Whiz".[9]
In the Silver Age, Wonder Woman's history received several changes. Her earlier origin, which had significant ties to World War II, was changed and her powers were shown to be the product of the gods' blessings, corresponding to her epithet, "beautiful as Aphrodite, wise as Athena, stronger than Hercules, and swifter than Hermes".[34][90] The concepts of Wonder Girl and Wonder Tot were also introduced during this period.[91]
While Diana stood admiring the replica, Bruce Wayne appeared. He proceeds to angrily confront her by grabbing Diana's arm and asking her about the information device that she had stolen. Bruce claims to see right through her "babe in the woods" act, saying that while Diana doesn't know him, he's met "a few women like [her]". Diana, however, calmly smiles and retorts that Bruce has never met any women like her. She then proceeds to tell Bruce that she was unable to obtain anything from Bruce's device, due to Lex Luthor's data having military-grade encryption. Diana explains her intention to re-obtain her photograph from Luthor, stating that she only borrowed Bruce's device, and has already returned it to him shortly beforehand (placing it into the glove compartment of his car), before calmly excusing herself and leaving.[5]
Straczynski's run focused on an alternate timeline created by the Gods where Paradise Island was destroyed leading to many Amazons being raised in the outside world. It revolves around Wonder Woman's attempts to restore the normal timeline despite the fact that she does not remember it properly. Wonder Woman in this alternative timeline has been raised in New York City as an orphan and is coming into her powers. She is aware of the presence of Amazons, but does not remember her childhood on Paradise Island.[54][55] Wonder Woman wore a new costume designed by DC Comics co-publisher Jim Lee.[56] Writer Phil Hester continued the storyline.[57]
Steppenwolf then grabs Silas Stone, which Cyborg shots Steppenwolf and saves his father, and Wonder Woman helps out by attacking the Parademons and taking Steppenwolf to a different part of the factory. While Batman fights the Parademons, Barry goes and save one of the employees. Steppenwolf tells the Parademons that he will deal with Diana alone; meanwhile, Batman is being attacked by one of the Parademons as he tells Alfred that he needs the Knightcrawler, which he sent the machine to Bruce.

The "Lies" story arc runs parallel with and explores Diana's search. No longer able to get into Mount Olympus, Diana tracks down Barbara Ann Minerva, the Cheetah, to get help.[161][162] Cheetah agrees to help in exchange for Diana aiding her in killing the god Urzkartaga and ending Minerva's curse. The pair battle their way through Urzkartaga's minions, the Bouda, and defeat Andres Cadulo, a worshiper of Urzkartaga that planned to sacrifice Steve Trevor to the plant god. Once reverted to her human form, Minerva agreed to help Wonder Woman find her way back to Paradise Island. During this time, Wonder Woman reconnects with Steve. Minerva eventually realizes Paradise Island is an embodiment of emotion instead of a physical place, so Wonder Woman and Steve head out to find the island. They succeed and Wonder Woman is greeted by her mother and sisters, though Steve senses something is wrong. Wonder Woman comes to realize nothing is as she remembers and, upon using the Lasso of Truth, discovers everything she thought she knew was a lie: she never really returned to Themyscira after departing with Steve years earlier. The revelation shatters Diana's mind and she is left nearly insane. Veronica Cale, a businesswoman who has been desiring to find Themyscira and the leader of Godwatch, sends a military group called Poison after her, but Diana's state has left her vulnerable and oblivious to the danger she and Steve are in. Steve wards them off long enough for them to be rescued, and reluctantly places Diana in a mental hospital so she can get help. While there she comes to grasp the reality she thought she knew was false, eventually coming out of her stupor and able to rejoin the others in tracking down Veronica Cale, who is trying to find Themyscira.
As the men helped the Amazons prepare for battle against the First Born's army, Diana received news that the First Born had been attacking other gods' realms. With Eros and Artemis, Wonder Woman ambushed the Minotaur at Demeter's home. Unfortunately, the First Born had already defeated Demeter, so Wonder Woman sent her companions to safety while she confronted him by herself.[45]
Wonder Woman's outfit has varied over time, although almost all of her outfit incarnations have retained some form of chestplate, subligaculum, tiara, bracelets, and her signature five-pointed star symbols. When Wonder Woman was first introduced, she wore a heavily patriotic skirt and red top which incorporated an American eagle and elements of the United States flag, reflecting the comic's origins during World War II. Later artists introduced what would become Wonder Woman's classic ensemble, adding an armored plate to her top whose design recalls a letter W and revealing blue short shorts, whose precise length varied from artist to artist. Other artists have experimented with different looks for Wonder Woman over the years, including an all-white mod jumpsuit, a biker outfit, a variation of her mainstream depiction featuring leather pants and a jacket, and a number of armoured battlesuits. Contemporary artists have attempted to emphasise Wonder Woman's traditional outfit as a red armored top with a blue gladiator skirt.
This new era of the comic book was influenced by the British television series The Avengers, with Wonder Woman in the role of Emma Peel.[10] With Diana Prince running a boutique, fighting crime, and acting in concert with private detective allies Tim Trench and Jonny Double, the character resembled the Golden Age Black Canary. Soon after the launch of the "new" Wonder Woman, the editors severed all connections to her old life, most notably by killing Steve Trevor.[11]

Wonder Woman, while in her guise as the human Diana Prince, is an extremely experienced genius antiquities dealer, with Diana's tremendously long immortal life and natural fluency in all human languages allowing her to accumulate an immense amount of knowledge on the subject, though (being an Amazon with Old God heritage) she seems to specialize most in ancient Greco-Roman antiques. Hence, Diana works as Curator for the Department of Antiquities[6] at the extremely prestigious Louvre Museum in France, and she is held in very high esteem by the curator of the Gotham City Museum of Antiquities. She was swiftly able to tell that the museum's exhibit of Alexander the Great's sword was a fake, knowing exactly where the actual sword was and impressing Batman himself.
In London, they deliver Maru's notebook to the Supreme War Council, where Sir Patrick Morgan is trying to negotiate an armistice with Germany. Diana translates Maru's notes and reveals that the Germans plan to release the deadly gas at the Western Front. Although forbidden by his commander to act, Steve, with secret funding from Morgan, recruits spy Sameer, marksman Charlie, and smuggler Chief Napi to help prevent the gas from being released. The team reaches the front in Belgium. Diana goes alone through No Man's Land and captures the enemy trench, allowing the Allied forces to help her liberate the village of Veld. The team briefly celebrates, taking a photograph in the village, while Diana and Steve begin to develop their own romance.

One of the events that led to Infinite Crisis was of Wonder Woman killing the villain Maxwell Lord in Wonder Woman (vol. 2) #219.[114] Maxwell Lord was mind-controlling Superman, who as a result was near to killing Batman. Wonder Woman tried to stop Superman, Lord (who was unable to mind control her) made Superman see her as his enemy Doomsday trying to kill Lois Lane. Superman then attacked Wonder Woman, and a vicious battle ensued. Buying herself time by slicing Superman's throat with her tiara, Wonder Woman caught Lord in her Lasso of Truth and demanded to know how to stop his control over Superman. As the lasso forced the wearer to speak only the truth, Lord told her that the only way to stop him was to kill him. Left with no choice, Wonder Woman snapped Lord's neck and ended his control over Superman.[114] Unknown to her, the entire scene was broadcast live around every channel in the world by Brother Eye. The viewers were not aware of the entire situation, and saw only Wonder Woman murdering a Justice League associate. Wonder Woman's actions put her at odds with Batman and Superman, as they saw Wonder Woman as a cold-blooded killer, despite the fact that she saved their lives.[115]


A warning that is first heard from the lips of Cheetah as she attempts to escape captivity, yet is echoed by others around the globe, all putting Wonder Woman on alert. As she attempts to investigate, she is attacked by Supergirl, wanting vengeance for the death of Rao, as the influence has gotten to her as well. An epic battle breaks out, and once again, the trusty Lasso of Truth saves the day, though barely.
Director James Cameron continued this debate, through his critique of the representation of female power in Jenkins's film. In an August 2017 interview with The Guardian, Cameron qualifies Jenkins's vision of Wonder Woman as "an objectified icon" and called the film "a step backwards". In contrast, he states, his character Sarah Connor (from his Terminator films) "was not a beauty icon. She was strong, she was troubled, she was a terrible mother, and she earned the respect of the audience through pure grit."[254] Jenkins stated in response that Cameron's "inability to understand what 'Wonder Woman' is, or stands for, to women all over the world is unsurprising as, though he is a great filmmaker, he is not a woman". She further argued "there is no right and wrong kind of powerful woman" because "if women have to always be hard, tough and troubled to be strong, and we aren't free to be multidimensional or celebrate an icon of women everywhere because she is attractive and loving, then we haven't come very far have we."[255] Reaction to this debate was mixed. Julie Miller sided with Cameron, whom she states refers to himself as "a pretty hardcore feminist" and who told Vulture that "I have no problem writing a script in which the males become subservient to the females, which is what happens in Aliens ... It's up to Ripley to win the day." In contrast, Miller argues that Jenkins and Gadot envisioned Wonder Woman as "a woman who exuded both femininity and strength, along with genuine confusion as to why men would treat women differently than they do other men".[256] Susannah Breslin also agreed with Cameron, describing Jenkins's Wonder Woman as "a Playmate with a lasso" and "female power with no balls".[257] Others were more critical of Cameron's critique.[258] An article in Newsweek suggests that in contrast to his criticism of Jenkins, Cameron's own films include "lot of objectification" and quotes a few Hollywood celebrities who echoed this view. One of the quotes came from Jesse McLaren who states that "James Cameron's just confused there's a female hero whose motivations aren't centered around motherhood."[259] Noah Berlatsky found areas of agreement between both Cameron and Jenkins, stating that while Cameron's objection is "an old point that's been made over and over for decades", Jenkins's film is not "solely focused on objectifying Gal Gadot for a male audience".[260]
Straczynski's run focused on an alternate timeline created by the Gods where Paradise Island was destroyed leading to many Amazons being raised in the outside world. It revolves around Wonder Woman's attempts to restore the normal timeline despite the fact that she does not remember it properly. Wonder Woman in this alternative timeline has been raised in New York City as an orphan and is coming into her powers. She is aware of the presence of Amazons, but does not remember her childhood on Paradise Island.[54][55] Wonder Woman wore a new costume designed by DC Comics co-publisher Jim Lee.[56] Writer Phil Hester continued the storyline.[57]
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